Monday, November 9, 2015

Motion Preview

  1. If subject is not moving, then the picture would be blurred.
  2. Raise shutter speed and move the camera.
  3. Catch moving subjects.
  4. Shutter Speed, Aperature, Film Speed.

Thursday, October 1, 2015

RAW vs. JPEG

RAW vs. JPEG
Part 1:
ADVANTAGES OF RAW
  • the complete (lossless) data from the camera’s sensor.
  • higher in dynamic range


DISADVANTAGE OF RAW
  • smaller file size
ADVANTAGES OF JPEG
  • able to be manipulated, though not without losing data each time an edit is made.
  • higher in contrast.
  • immediately suitable for printing, sharing, or posting on the Web.
DISADVANTAGES OF JPEG
  • Some color is lost as is some of the resolution (and on some cameras there is slightly more noise in a JPEG than its Raw version).
Part 2:
JPEG:
JPEG has slightly better advantages for you to use. JPEG is the best source for printing. JPEG has a higher contrast, so its not too dark.

RAW:  RAW is not as useful and better like JPEG is. RAW has a small file size, but is high in dynamic range, along with the lossless data from the camera's sensor.

Part 3:
1. it doesn’t process the photo within the camera, it captures all the data and retains all the information without compressing it, preserving all the information in all the pixels within the image.

2. you have control over the compression of the final image, you are using software to edit and manipulate the pixels as opposed to letting the camera do it automatically.

3.majority of DSLR’s will have the option, but many older point and shoot cameras wont have the capability. You can convert RAW images to JPEG, but you can’t convert the other way. 

4. if you are looking for greater flexibility and processing options.

Part 4:

Thursday, September 24, 2015

Sunny 16 Rule and Basic Exposure Constant.






Shot 1
 Front Lighting; sunny 16
Mostly sunny
ISO:100
F/stop: F16
Shutter speed: 1/125

Shot 2
Front lighting; exposure 1
Mostly sunny
ISO: 100
F/stop: F11
Shutter speed: 1/250

Shot 3
side lighting; sunny 16
sunny
ISO: 100
F/stop: F22
SS: 1/60
Shot 4
side lighting; exposure 1
sunny
ISO:100
F/stop: F22
SS: 1/60

Shot 5
side lighting; exposure 2
sunny
ISO:100
F/stop: F16
SS: 1/125

Shot 6
back lighting; sunny 16
shady
ISO:100
F/stop: F8
SS: 1/100

Shot 7
back lighting; exposure 1
shady
ISO:100
F/stop: F8
SS: 1/125

Shot 8
back lighting; exposure 2
sunny
ISO:100
F/stop: F9
SS: 1/100

Shot 9
back lighting; exposure 3
sunny
ISO:100
F/stop: F9
SS: 1/100

Shot 10
back lighting; light meter
sunny
ISO:100
F/stop: F9
SS: 1/100

Shot 11
dark shade; sunny 16
dark;shady
ISO:400
F/stop: F16
SS: 1/250

Shot 12
dark shade; exposure 1
dark;shady
ISO:400
F/stop: F11
SS:1/60

Shot 13
dark shade exposure 2
dark;shady
ISO:400
F/stop:F16
SS:250

Shot 14
dark shade; exposure 3
dark;shady
ISO:400
F/stop: F22
SS; 1/60